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Hunt: “Well, I think one of the beautiful things about the writing process is that every now and then we find ourselves with a song that just kind of presents itself and unfolds before you. On their song “Innerbloom,” which is 9 minutes and 38 seconds long It made writing lyrics fun and very easy for us.” It’s like, there's no people, no cars, you’re just kind of in the middle of nowhere, under the stars. And we wrote all the lyrics of ‘Eyes’ there. We wrote a song, we wrote ‘Lost In My Mind’ in like a day. Lindqvist: “That trip to Joshua Tree was like lyric-writing trip. On the process behind writing their song “Eyes” We were allowed to transport ourselves and right until the early morning.” And initially it was like, ‘Oh, this is pretty funny,’ but it actually did transport the space into a little bit more of this escapist realm where we would. There was a sort of outer space part where he put fairy lights up. kind of like one corner would be the underwater corner, so there was seashells in there. We did have a friend of ours who came in and imbued the studio with his creative. On their LA music studio - and having their shaman friend create the space James Hunt: “I think having written the first two records, having a little bit more experience under our belt as producers and songwriters, initially maybe we had a better ability to capture certain moods but also the environment we were writing in now.” I feel like it's similar in the way that I sing, like it isn't too on the nose, and I think it allows the listener to just interpret a little bit of what the song is meaning.” The audience gets to interpret a certain amount of emotion from them.
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Tyrone Lindqvist: “Not really sure how to put it, but it feels probably similar to like an actor onscreen not giving a lot, just getting to see the actor on the screen, getting to see their face not do a whole lot of things. “You can just dive back into it and forget about everything or at least, you know, embrace some of those feelings and move forward.”
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“We love being able to create our own little fantasy world the same way an author would be writing a novel or something,” George says. So I think the spectrum of those emotions brought out some of that darkness and we allowed that and let it breathe.”īut escapism remains as a key part of their music-making process. “It was a little bit unhealthy at times, but also one of the best, fun times we've had writing. “I think the ability to keep going without limits definitely, at times, we find ourselves in some darker spots,” Hunt says. But being transported into “beautiful, escapist wonderland,” as they called their studio, had its pitfalls. It was attached to the house they were living in Venice, California. “That wasn't really like a thing that we set out to do when we started writing the record,” Hunt says.Ī lot of the lyrics came from writing in a studio that was designed by their friend - a shaman.
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Lindqvist describes their musical approach as “a vulnerable, relaxed tone that isn't pushed too much.”īut fans of RÜFÜS DU SOL’s psychedelic sound noticed the songs on “Solace” were darker than previous albums. Their latest album “Solace,” released a little over a year ago, received international acclaim. 1 in the land Down Under.įlash forward to 2019, and the electronic trio - made up of Australia natives Tyrone Lindqvist, Jon George and James Hunt - is currently on a world tour, packing massive crowds at festivals like Coachella. When RÜFÜS DU SOL burst onto the Australian music scene in 2013 with their debut album “Atlas,” it peaked at No. RÜFÜS DU SOL (Photo by Isabel Durant) This article is more than 2 years old.